The Death of Elisa Lam - Haunting and Unsolved!
The Mysterious Death Of Elisa Lam: A Haunting Puzzle
In February 2013, the disappearance and eventual discovery of the body of 21-year-old Elisa Lam made headlines around the world. Her bizarre case, riddled with unanswered questions and eerie coincidences, continues to baffle investigators and the public alike. Who was Elisa Lam, and what could have led to her mysterious and disturbing death?
“As of 2023, Elisa Lam was the 18th of 19 people to die at the Cecil Hotel in strange and disturbing circumstances!”
WHO WAS ELISA LAM?
Elisa Lam was a Canadian student who was on a solo trip to Los Angeles when she disappeared. She was staying at the Cecil Hotel – budget accommodation in downtown LA known for its dark history and association with notorious criminals such as Richard Ramirez, the Night Stalker. Lam was a smart, creative, and independent young woman who struggled with mental health issues, including bipolar disorder and depression. She documented her travels on her blog, sharing her experiences with her family and friends. Her case quickly gained widespread attention, largely due to the eerie CCTV footage that surfaced after her disappearance, showing her displaying strange and erratic behaviour in an elevator of the Cecil Hotel, where she was staying. Weeks later, her body was found floating in a water tank on the hotel roof, adding to the chilling circumstances of her death.
HOW SHE VANISHED
On January 31, 2013, Lam checked into the Cecil Hotel. She was last seen on February 1, 2013, and was reported missing by her family when they didn’t hear from her. The hotel staff conducted a search, but Lam was nowhere to be found. The police were called, and a massive search ensued, including police dogs, helicopters, and search teams. However, no trace of Lam was found.
MYSTERIOUS AND DISTURBING
The circumstances surrounding Elisa Lam’s death are unsettling, to say the least. She vanished under mysterious circumstances, and her body was found weeks later in a water tank on the roof of the Cecil Hotel. However, what makes this case so chilling is the bizarre behavior that was captured on the hotel’s security footage just hours before she vanished. In the video, Lam can be seen frantically pressing elevator buttons, hiding in the corner, and waving her hands erratically, as if she was trying to communicate with someone who wasn’t there. At one point, she appears to be hiding, peering out from behind the door as if frightened by something unseen. The footage is disturbing and has led many to speculate about what might have been going through her mind in those moments.
THE DISCOVERY OF THE BODY
On February 19, 2013, after guests at the hotel complained about low water pressure and an odd taste to the tap water, maintenance workers went to the roof to check the water tanks. It was there that they discovered Lam’s body in one of the tanks. The tank was difficult to access and required a ladder, which had been locked away. The tank’s lid was also heavy, making it unlikely that Lam could have lifted it herself.
THE MAIN THEORY
The official cause of death was ruled as an accidental drowning, but many questions remain unanswered. The main theory is that Lam’s death was the result of a tragic accident, possibly caused by her mental health issues. Some believe that she may have been experiencing a psychotic episode and accidentally fell into the tank while trying to escape from an imagined threat. However, this theory does not explain the strange behaviour captured in the elevator footage.
OTHER CONSPIRACY THEORIES
Many unanswered questions remain. How did Elisa get into the water tank, which was inaccessible to guests, and how did the lid to the tank get closed from the outside? What led her to exhibit such strange behaviour in the elevator? Was she experiencing a mental health crisis, or was something more sinister at play?
Hotel surveillance footage of Elisa Lam before her disappearance.
Theories surrounding the case of Elisa Lam range from plausible to outlandish. Some believe that her death was the result of foul play, either at the hands of someone at the Cecil Hotel or an unknown perpetrator. Others speculate that she was the victim of a government experiment or that her death was part of a larger conspiracy. Some even believe that her death was the result of supernatural forces due to the Cecil Hotel’s notorious history of hauntings and paranormal activity. Some even believe that she was the victim of a mysterious society and that she was murdered as part of a dark ritual.
A DARK AND DANGEROUS PAST
While there is no concrete evidence to support any paranormal theories, the Cecil Hotel is infamous for its dark history and association with some of the most notorious criminals in history. The hotel’s haunted past has led many to believe that there may be paranormal activity at play. Some claim to have experienced strange occurrences, including disembodied voices, flickering lights, and the feeling of being watched.
RECENT UPDATES
The case of Elisa Lam continues to captivate the public’s attention and has been the subject of many recent news articles, podcasts, and documentaries.
Netflix also released a programme entitled ‘The Vanishing at the Cecil Hotel’ which is part of the first season of the Crime Scene docuseries. Released in 2021 and directed by Joe Berlinger, it chronicles the death of Elisa Lam at the Cecil Hotel.
There has been speculation that the TV series “Dark Tourist,” which explored the dark side of tourism was to feature an episode on the Cecil Hotel and the mysterious death of Elisa Lam as part of Series two but was never produced.
“Many investigators believe Elisa wasn’t strong enough to open the hatch to the water tank and certainly wouldn’t have been able to close it from the inside!”
STILL UNSOLVED!
The death of Elisa Lam remains a haunting puzzle, shrouded in mystery and unanswered questions. While the official ruling is that her death was an accidental drowning, the strange behaviour captured on the elevator footage and the hotel’s dark history has led many to believe that there may be more to the story. Whether it was a tragic accident, foul play, or something more sinister, the case of Elisa Lam is a chilling reminder of the fragility of life and the dark forces that may be at play in our world.
Ref: Death of Elisa Lam/G6600/26/4.62p/2023
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The Mysterious Metal Library and the Tayos Cave
The Mysterious Metal Library: A Treasure Trove of Enigmatic Knowledge
This enigmatic collection of ancient artefacts and texts has captured the imagination of scholars, adventurers, and paranormal enthusiasts alike. But what is the Metal Library, and why is it so important?
The Metal Library is believed to be a repository of knowledge and wisdom that predates recorded history. The texts and artefacts contained within it are said to hold the key to understanding the origins of humanity, the secrets of the universe, and the nature of reality itself. The importance of such knowledge cannot be overstated, and many believe that the Metal Library could hold the key to unlocking the next stage of human evolution.
Original Discovery
The origins of the Metal Library are shrouded in mystery. Some believe that it was discovered by the Spanish conquistadors during their conquest of the Americas, while others suggest that it was known to the ancient civilizations of South America.
The story centres around the discovery of large human bones and modern-day tribes in the Amazon that still live the way people did hundreds of years ago. These tribes guard the secrets of ancient civilizations, some of which may be protected by a sacred metal library.
One of the central figures in this story is Father Crespi, a missionary in Ecuador who received many artefacts as gifts from the local tribes. His collection included oversized tablets, jewellery, plates, doors, decorations, statues, pottery, and more. The artefacts showed similarities to Babylonian or Egyptian cultures, and some depicted possible god-like figures made of gold and silver. Some of the artefacts suggest a mix of cultures or an ancient people that history does not talk about.
In the mid-1960s, Juan Moricz allegedly discovered a massive cave system in the Andes Mountains with man-made structures carved into the walls. He reported that he also found a collection of gold and silver tablets, panels, books, and more, which he believed to be a priceless treasure or a library made of gold with all the knowledge of the past. The symbols on these artefacts and books had pictures and symbols of pyramids and more, which were similar to the artefacts in Father Crespi’s collection.
The fate of Father Crespi’s artefacts also remains a mystery. Some speculate that they were stolen or hidden away by those who wished to keep their secrets safe, while others believe they may still be hidden somewhere in the caves. Despite the loss of the artefacts, the legacy of Father Crespi’s work in Ecuador continues to inspire curiosity and wonder among those interested in lost civilizations and ancient relics.
Theories about the Metal Library
The Metal Library has been the subject of intense speculation and debate for decades. Some believe that it was created by an advanced civilization that predates recorded history, while others suggest that it was gifted to humanity by extra-terrestrial beings. Still, others maintain that it is the work of an ancient race of giants who once inhabited the Earth.
Expeditions Associated with the Metal Library
Over the years, numerous expeditions have been launched in an attempt to locate the Metal Library. Many of these expeditions have been led by academics and archaeologists, while others have been the work of more unconventional explorers. Some have claimed to have found the Metal Library, while others have come away empty-handed.
The Tayos Caves have also been associated with various legends and myths, including stories of a hidden city and a race of underground beings. These legends have contributed to the mystery and intrigue surrounding the caves and the metal library.
Neil Armstrong, the famous astronaut, and his team also searched for the Library in the Tayos Caves, but they did not find it. However, a man claiming to have found the secret entrance to the Metal Library in the Tayos Caves recently emerged on a podcast, which was later taken down. He claimed that people had been using the wrong entrance, and the correct one led to a room full of metal books, tablets, and more. He also claimed that he needed help from treasure hunters who had the right connections, as he did not know how to recover treasures or where to sell them.
The mystery of the Tayos Caves and the Metal Library raises questions about hidden histories and ancient civilizations. It also highlights the importance of mainstream science working with explorers to preserve and protect historical artefacts and approaching such discoveries with caution and respect.
In recent years, there have been efforts to explore and document the Tayos Caves using modern technology, such as drones and 3D mapping software. These efforts have led to new discoveries and insights into the caves, but the search for the metal library and its secrets continues to elude explorers and researchers.
Location of the Metal Library
The exact location of the Metal Library remains unknown, but many believe that it is located somewhere in the jungles of South America. Some suggest that it is hidden deep within the Amazon rainforest, while others believe that it is located in the Andes Mountains or the Tayos Caves. However, due to the difficulty of accessing such remote areas, this elusive Library remains one of the greatest unsolved mysteries of our time.
An impossible Treasure Guarded by Ancient Spirits
While there is no evidence to suggest that the Metal Library contains any gold, silver, jewels or other treasure, its knowledge and wisdom are considered to be priceless. For those who seek enlightenment and a deeper understanding of the universe, the Metal Library is the ultimate treasure trove.
There are no reports of spirits, ghosts, demons, or other paranormal creatures associated with the Metal Library. However, many believe that the knowledge contained within it has the power to unlock the secrets of the universe and transcend the physical realm.
There are no confirmed reports of deaths associated with the Metal Library. However, the search for its location has led many adventurers into dangerous and remote areas, and some have never returned.
Modern Mythology
The Metal Library has been linked to numerous other ancient mysteries, including the Tayos Cave in Ecuador, the Kingdom of the Crystal Skull film, and the legends of the ancient city of Atlantis. While there is no concrete evidence to support these connections, they continue to fuel speculation and intrigue.
What Next?
The Metallic Library remains one of the greatest unsolved mysteries of our time. Its origins, location, and contents continue to fuel speculation and debate, and its importance as a repository of ancient knowledge and wisdom cannot be overstated. While the search for the Metal Library may never be resolved, its allure and mystery will continue to captivate generations to come. Whether it was created by an advanced civilization, gifted to humanity by extra-terrestrial beings, or the work of an ancient race of giants, the Metal Library remains a testament to the enduring human quest for knowledge and understanding.
Ref: Metal Library/G1000/26/4.62p/2023
Lost City of Petra – Photo Tour
At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti.
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UFOs in Art - Historic evidence for ET's
UFOS IN ART – THE RENAISSANCE PERIOD
All the following UFO’s In Art come mainly from the renaissance period which was roughly from 1350AD to 1680AD. Many of these UFO paintings have been debunked by art historians using the rules of stylised symbolism and they do have a valid point. However, the issue is deeper … much deeper.
Christian religion was an essential topic for European painters of this era and artistic Christian symbolism was an essential part of the composition code. No one should argue this point. However, the Bible is full of accounts that can be interpreted as either divine apparitions or extra-terrestrial visitations. In fact, there is a growing belief that the two are actual one and the same. The vision of the Prophet Ezekiel is a perfect example. His vision of God is more a description of a machine than anything else. Equally, real descriptions of angels bear almost no resemblance to the winged people we think of today.
In reality, there’s actually more tangible evidence for UFOs than there is for angels and other divine beings. A really interesting observation is that people used to witness angels and divine visitations fairly often but that has pretty much stopped. It stopped around the time that people started perceiving UFOS. Truly, the story of people be taken up into heaven and people being abducted by UFOs is not that different.
The real reason the pictures of UFOs in art are important, even though they may have symbolic explanations, is that the artists of the renaissance period had no concept or belief in other worlds or extra-terrestrial civilisations even though we could describe Angels, Nephilim, Demons and the entire heavenly host as extra-terrestrials – essentially translated: Outside of The Earth.
It’s not about whether a cloud is a UFO, or the ray of light is a laser, rather we should be accepting that to renaissance painters there was no perceivable difference. We should be asking why illustrate the moon as a man in a capsule, why depict the sun as chasing the moon, why use vortexes to depict gates to other worlds and why show shields as part of the sky. Perhaps the people of the time were used to seeing certain celestial objects and simply incorporated them into their religious mythology. The same pattern can be seen around the world from the Mayans of South America to the Indus valley civilisations of India.
The next two references are out of chronological order but are definitive records of UFOS where symbolism is not an issue. In addition, both come with eyewitness accounts of extraordinary events. Here is clear proof that renaissance people were experiencing unexplained celestial phenomena. These are just two examples of many separate accounts.
THE NUREMBURG UFO PHENOMENA OF 1561
There were numerous reports of inexplicable celestial occurrences or mysterious flying objects in the sky over Nuremberg, Germany, in 1561. Some contemporary UFO enthusiasts have interpreted the occurrence as an extra-terrestrial aerial conflict.
According to a broadsheet from the time and published by Hans Glaser, as dawn broke on 14 April 1561, “many men and women” of Nuremberg saw an aerial battle come out of the sun”, followed by the appearance of a large black triangular object and exhausted combatant spheres falling to earth in clouds of smoke.”
The broadsheet reports that hundreds of spheres, cylinders, and other odd-shaped objects were seen by witnesses moving erratically overhead and appeared to be fighting each other. This description was supported by a woodcut engraving showing examples of the objects. The document is kept in the Zentralbibliothek – Zürich’s prints and drawings repository in Zürich, Switzerland.
BASEL UFO PHENOMENON OF 1566
During August of 1566, some four years after the Nuremberg incident, there were widespread reports of celestial phenomena over Basel, Switzerland that were visible for three days. These were remarkably similar to the events that had taken place above the city of Nuremburg five years earlier during 1561.
Unusual sunrises and sunsets as well as inexplicable aerial phenomena are described in the Basel pamphlet of 1566. The ‘celestial elements’ are reported to have “battled” each other before the sun rose in the appearance of several crimson and black balls. Some ufologists believe the phenomenon to have been an aerial conflict between opposing forces of unidentified flying objects. The account of UFOs in Art was printed in the “Flugblatt of Basel 1566” a leaflet produced by Samuel Coccius and Samuel Apiarius and survives to this day.
THE CRUCIFIXION OF CHRIST, 1350
Two UFOs are shown on the upper corners of an intriguing picture that hangs above the altar of the Visoki Decani Monastery in Kovoso. The strange objects in the Crucifixion of Christ 1350, according to many art historians, are meant to symbolise the sun and the moon and this may well be the case. The real question is… why show them this way. Is it because the painter associated the planets with celestial visitors?
The depiction of the ‘sun and moon’ craft have a series of anomalies that need to be considered. For example, the pilot of the capsule on the right appears to be glancing back at the one behind him in the top left corner. Furthermore, neither of these pilots has a halo surrounding them, potentially ruling out the assumption that they are either representing divine objects or heavenly entities.
A closer view of the UFO on the right clearly shows the pilot touching some form of control panel or tablet. We see similar hand use in the image on the left which is clearly being powered by some form of heat generating engine – the Sun. The hand postures, often overlooked by art historians, clearly show that the craft are under some form of direct control. These two UFOs may well represent the personification of the moon and the sun, but they could well represent another dual perspective entirely.
Now that we know that UFOs are real, we can perhaps look at these artworks again in a new way and move on from the hysteria that has surrounded the debunking UFOs for the past 70 years.
THE MIRACLE OF THE SNOW, 1428-1432
The Miracle of the Snow by artist Masolino da Panicale is said to reflect the legend of snowfall in Rome on a hot summer’s day during August in the fourth century. Jesus and Mary seem to be overlooking the incident from the top of a cloud, but behind them are streams of disc shaped objects. According to art specialists these are clouds and feature in other works by Masolino and, given that the artwork represents a fall of snow, they are probably symbolically clouds. The question that needs to be asked is this – are they also something more than just clouds?
Why would an artist who has devoted attention to detail in every other area of his work paint a cloud in such a manner? Was it because Masolino had witnessed otherworldly clouds during his life and was trying to capture their likeness?
Of particular interest is the way that the objects are depicted as moving in formation as if under specific control. It’s also critical to remember the context of the artwork. Snow in Rome during August would truly be a miracle so what was actually happening?
Although he was painting an event that had happened a 1000 years earlier, Masolino did have a unique advantage. He was a personal appointee of Pope Martin V at this time and is believed to have had access to Vatican records when composing the design of the painting.
This is also not the only account of ‘unusual’ clouds depositing a white crystalline substance on the ground beneath them. Whether or not this substance was actually snow remains highly debatable.
THE ANNUNCIATION WITH SAINT EMIDIUS, 1486
Carlo Crivello’s altarpiece The Annunciation with Saint Emidius is an artistic version of the event. The altarpiece was created for the Church of SS. Annunziata in the Italian town of Ascoli Piceno, in the Marche region, to commemorate the town’s self-government given by Pope Sixtus IV in 1482.
A weird object is observed in the sky shooting a beam of light toward the Virgin Mary, purportedly causing her to become pregnant with Jesus Christ. Ufologists contend that the narrow laser-like light is actually a UFO firing the beam and is further evidence of ancient aliens.
Critics point out that the artist was depicting an event that had taken place nearly 1,500 years in the past and point out that the UFO is actually a circle of angels. This design is seen in many other artworks and is standard religious symbolism. Again, the question that must be asked is why depict the phenomena in this manner. Why feature a vortex of spinning clouds and not a door or a window or an arch? These designs would be more contemporary to the time. For some reason heavenly interactions of this kind are almost always depicted as a swirling or static disc shape from which emanates rays of energy.
It’s important to point out that clouds of dancing swirling angels are not something any modern person have ever seen. Is the simple answer that these symbolic representations were most likely based on sightings of aerial phenomena that were taking place across Europe at the time and being interpreted as religious events.
THE MADONNA WITH SAINT GIOVANNINO, LATE 1400S
Domenico Ghirlandaio
In Florence’s Palazzo Vecchio’s Loeser Collection, there is a painting that never fails to captivate those who come to look at it. People are still perplexed by the identity of the weird item hovering in the sky in Domenico Ghirlandaio’s painting. Known as The Madonna with Saint Giovannino it’s become iconic in modern UFO lore.
The oval-shaped object can be seen floating in the backdrop, just above the Madonna’s left shoulder. A man is standing beneath the saucer-shaped item, staring up at this unusual thing in the sky, while his dog is barking at the object as if disturbed by its presence. This is a strong clue that the artist does not intend that the object is an angel or heavenly being as the dog would have recognised this and failed to bark. A similar event can be seen in the painting – “The Virgin and Child with the Infant Saint John and a Female Saint or Donor” where a celestial being appears and the animals are clearly supplicant.
A display of bright rays of light are emanating from the UFO that also appears to be both large and in motion. Close study of the device shows that it is moving upwards as if it had just visited and departed.
Art historians have claimed that the object is of no primary importance to the picture and may have just been a whim of the artist. This is clearly not the case as the characters, namely the man and dog are interacting with it suggesting an important relationship to the context of the overall picture.
Further art specialists claim the object is the moon being followed by the sun while another group believe that it is the nativity star. To the modern eye it looks like a grey oval aircraft, but it could just as easily be a meteorite. It may or may not be an alien spaceship, but it is certainly an unidentified flying object.
THE MADONNA WITH SAINT GIOVANNINO MKII
Bartolommeo di Giovanni or Raffaellino de’ Carli.
(Sandro Botticelli e bottega, Madonna col bambino e San Giovanni no in un tondo, 1490-1500 ca.)
This is a painting based on exactly the same subject matter but by a completely different artist to the one above. In this picture, which was painted at a similar time in history, we can see that the Madonna has a most unusual halo. In most paintings, a halo is depicted either as a circle of glowing light in perspective with the subject or as a simple flat circle surrounding the head of the holy person. This picture is different.
The halo above the Madonna’s head is clearly a silver disk that looks incredibly similar to the depiction of a modern UFO. This also raises the question why halos are always depicted as a circle of radiance and light around the head of a holy person? There’s no doubt that the device is meant to be a halo but could it also represent something else too.
TRIUMPH OF SUMMER TAPESTRY, 1538
The Summer’s Triumph tapestry was made in the Belgian city of Bruges in 1538 AD. It is said to represent a successful ruler’s rise to power. A number of ‘hat-shaped’ flying objects in black may be seen near the top of the tapestry, particularly on the left-hand side. Designed as they are, they look very similar to the common modern depiction of UFO’s.
Art historians have a number of explanations ranging from religious ‘cardinals’ hats to ‘they’re just clouds’ Even if we assume that the artist painted these flying discs to depict a heavenly manifestation, the issue remains as to why the artist chose a disk-shaped object in the sky to represent a divine presence. This would only make sense If individuals at the time equated flying saucers with divinity. Possibly, it indicates they saw such things in the sky and associated them with a ‘godly’ phenomenon. Artists of the time knew how to paint clouds so what was the real symbolism behind these objects.
MANY MORE EXAMPLES
There are many other paintings and artworks from the renaissance period that depict possible UFOs. The artwork on the wall of the Monastery Church at the Medieval Citadel in Sighisoara, Transylvania looks like a UFO hovering above a burning church. It even has an exhaust plume. Historians say it’s a shield. The Baptism of Christ by Piero della Francesca shows a flying saucer shaped object near the head of Christ but, in this case, it is probably just a cloud. The painting of the Baptism of Christ painted in 1710 by Aert de Gelder also shows a heavenly vortex and what may be a UFO with rays of light emanating from its hull. Historians say it’s just symbolism.
UFOS IN ART, PAREIDOLIA OR SOMETHING ELSE
The big question is… are we seeing something that isn’t there or have we been missing the true meaning of this symbolism for centuries? Is it even a fusion of both?
Most religions, whether ancient or more modern, have some striking similarities. They all refer to heavenly phenomena, they often refer to wise beings coming down from the sky to help the people of Earth and they almost always refer to some form of flying craft. The Sumerians had the Anunnaki, the Native Americans referred to the sky people, Christianity, Judaism and Islam all have references to heavenly beings interacting with humans. In India the gods rode in flying chariots called vimana and the ancient Greeks had Zeus, Pegasus, and the Meteoroi. The Dogon people of Africa believe that they were visited by Star gods and the ancient religion of Egypt had many deities associate with both the sky and the sun. In the old testament, The Bible clearly states that Zechariah looks up and sees four flying vehicles coming from heaven. Not beings – vehicles.
The real issue is not whether a historical objects in art look like a UFOs. The question should be… Why does so much religious symbolism seem so extra-terrestrial? When seen this way, the relationship between religious symbolism and potential extra-terrestrial encounters seems more plausible every day.
Ref: UFO's in Art/G3600/8/0.81p/2023
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The UFO Vision of Ezekiel Artwork
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UFOs in Ancient Art
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UFOs in Ancient Art
We now know that UFOs are real! They’ve been renamed UAPs (Unexplained Aerial Phenomena) but no one is fooled by the convenient label change.
The Unite States military have finally confirmed that they regularly track flying objects that defy explanation, both visually and on their latest more advanced radar.
According to government military experts, these aircraft have performance abilities way beyond anything being used or in development by the USA and have officially been identified as a threat to national security.
Exactly what they are remains a mystery. They are either a new inconceivable terrestrial technology or they are extra-terrestrial. Both possibilities are game changing. Now that we know they are real, we urgently need to look back through history and re-evaluate what we think we know.
The UFO phenomenon entered mainstream awareness during WWII and unfortunately there have been many hoaxes. This makes accounts of UFOs before this date incredibly important as they will be both original and untainted by modern UFO culture. Most interesting is… when you start looking – you find them everywhere. In this article that features over 20 examples, we look at just UFOs (as machines) and not the possible depictions of aliens that often accompany them.
CHARAMA (CHHATTISGARH) CAVE PAINTINGS (India 8000BC)
Ancient rock drawings that may portray UFOs have been discovered in Madhya Pradesh and Chhatisgarh, India, suggesting that aliens from other planets have been communicating with humanity from ancient times. This art is at least 10,000 years old.
People from the area tell legends of the ‘Rohela people,’ that they heard from their forefathers. Rohela translates as the “the tiny ones,”. According to folklore, the ‘Rohela people’ would arrive from the skies in a round-shaped flying device and abduct one or two village residents who would then never return.
Mr Wassim Khan, a local archaeologist, has seen the petroglyphs first hand. He believes that the devices and creatures shown in them are completely out of character when compared to other instances of prehistoric cave art showing ancient life in the area that have already been uncovered.
ONAKE KINDI UFO (India 7000BC)
Also in India are pre-historic cave paintings near Anekundi (10 km from Hampi). Hard to find and difficult to reach, they are still remarkably well preserved and date back to the same period as the Charama drawings.
One of pictures clearly shows an object that appears to be a flying disk with beings inside it. The official explanation is that it’s a depiction of a burial chamber, however, it is unlike any other representations found in the area.
Another thing to notice is that all of the other figures, whether human and animal, are painted on a vertical plane at eye level. However, if you look closely, the so-called spaceship is painted on the top, on a horizontal plane. Does this imply that prehistoric humans attempted to show it descending from the sky?
It’s worth noting that the area has a number of very odd rock formations including the ‘blood stone’ that looks as if it was split with a laser and the helicopter rock that appears to have been shaped to represent vertical take-off blades. All very unusual.
ANUNNAKI UFO (Sumerians – 5000BC)
According to the Sumerians, they didn’t make all their remarkable advancements on their own. they credited their historic breakthroughs to a group of heavenly visitors called the Anunnaki. Some scholars believe the Anunnaki were extra-terrestrials from another world and can back up these claims with ancient Sumerian records.
There are at least three very clear depictions of UFOs in ancient Sumerian carvings.
Mainstream archaeologists simply explain these as stylised depictions of angels or gods and then change the subject. The reality is that they clearly show beings in some form of craft either at an atmospheric level or in cosmic representations.
VIMANAS OF INDIA (1500BC)
According to very ancient Indian legends, that date back to some of the earliest civilizations, there were once god-like beings that flew through the air using magical machines. The original term for these machines was “Ratha” which later gave way for the term “Vimana”. These machines were controlled by a supreme leader who allowed them to be used by his chosen few. According to various researchers, many modern UFO sightings clearly describe unknown aircraft that strongly resemble the descriptions of Vimanas that can be found in the ancient texts. What is more, the way that they moved and their ability to defy gravity is very similar to recent reports by US navy pilots that have been confirmed by the US government to be actual UFOs
It’s worth noting that sightings of Vimanas were made across the whole of Southeast Asia and were carved into temples as far away as Prasat Hin Phanom Rung in Thailand.
ABYDOS MACHINES 1290-1213 BC
Among the customary symbols, insects, and snakes, the 3,000-year-old hieroglyphs discovered at Seti I’s temple in Abydos, Egypt, are believed by UFO investigators to portray a helicopter, jet, and future aircraft. They are instantly recognisable and have caused a great deal of controversy.
According to mainstream archaeologists they are the result of a process known as over-carving where an existing set of hieroglyphs are filled and recut. However, alternative researchers point out that the chance of creating one recognisable aircraft image by this process would be remarkable and yet here there are at least four. They don’t deny that over-carving has taken place – just that the carvings we see today were the intended design.
VISION OF EZEKIEL (Israel – 600BC)
Around 600BC the Hebrew prophet Ezekiel witnessed what can today be described as a UFO encounter with extra-terrestrial beings. The incident happened on the shores of the Chebar River and appeared in the air amid clouds and fire. He described wheels within wheels all covered in eyes and a divine being seated at the centre. This device could fly and briefly touches down in front of Ezekiel. He believes that it is a vision of Jehovah the patriarchal god of the old testament.
There have been many depictions of the encounter in art over the centuries. The one above was create in 1670 by …..
https://www.shutterstock.com/image-photo/gandhinagar-gujarat-india-september-18-adalaj-113567641
FLYING FISH UFOS OF BURRUNGKUY (NOURLANGIE)
Located in the Northern Territories of Australia is the Burrungkuy (Nourlangie) rock art site, within the World Heritage-listed Kakadu National Park. In the most important (Anbangbang) gallery there are depictions of the Creation Ancestor Namondjok, and the Creation Ancestor Namarrkon, also known as the Lightning Man. In this cluster of ancient artworks paranormal researchers have noticed two flying fish that look remarkably like UFOs.
These objects are located in the sky, above what appears to be a group of alien-looking humanoids. The fish are quite unusual. The mouth area has been delineated with bands to create the effect of a windscreen, (A) the tail has and extra plate that looks like a rudder (B) and the back of one of the fish appears to sprout antennas (C). It’s most interesting that these objects are located in the sky not beneath the feet of the beings which is the traditional positioning. According to historians, the objects are just fish but Ufologists believe they are symbolic animal personifications of flying craft.
QUIMBAYA ARTIFACTS 500 BC–600 AD.
The Quimbaya artefacts are largely pottery and gold pieces that have survived from the Quimbaya civilisation, which was one of numerous pre-Columbian Colombian cultures that lived in the Middle Cauca River valley and southern Antioquian area of modern-day Colombia. The items are thought to have been created between 500 BC and 600 AD. Found among these items were a series of gold artifacts that clearly represent modern delta wing aircraft – in fact, they are near perfect representations.
According to mainstream archaeologists these are nothing more than stylised birds. Just take a look at the image below to see how these claims are patently outrageous. Firstly, the goldsmiths of Quimbaya were extremely talented and more that capable of creating stylised birds or insects that actually looked like these creatures. Secondly, what bird or insect has a cockpit, engine array and a vertical tail? The answer – none. Still, you decide.
Part Two coming soon.
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Georgia Guidestones Mysteries - Creation & Destruction!
Mystery of the Georgia Guidestones
The ‘Georgia Guidestones’ was an enigmatic monument, shrouded in mystery. The exact origin of the stones themselves is unknown, as is their purpose and message.
The Georgia Guidestones was one of the most mysterious constructions in North America. A granite monument erected on a hilltop in Elbert County, Georgia, it displayed ten engraved decrees for a new kind of world philosophy. These commandments were written in eight different languages including English, Spanish, Classical Hebrew, Arabic, Swahili, Hindi, Mandarin Chinese, and Russian.
The words “Let these be Guidestones to an Age of Reason” were etched on either side of the capstone in four ancient languages: Babylonian cuneiform, Classical Greek, Sanskrit, and Egyptian hieroglyphic.
From 1980 until 2022, this group of giant stone slabs existed in Elbert County, Georgia, in the United States. They stood 19 feet 3 inches high and were constructed from six granite slabs that combined to weigh 237,746 pounds. The building had been called the “American Stonehenge.”
These engraved “guides” are allegedly commandments that dictate how humans should live the rest of their lives if they wish to survive after an impending global catastrophe. For example, the first commandment instructs people to “stop” the overpopulation of our planet before it’s too late; others cover topics like religion, eugenics and language evolution.
An extra granite ledger had been placed level with the ground a few feet to the west of the monument. This tablet described the construction and the languages employed on the monument, as well as providing information about the size, weight, and astronomical aspects of the stones, the date it was erected, and the project’s sponsors.
Controversy
The Georgia Guidestones have been the centre of controversy since they were erected. Many people have claimed that they were established by the secretive ‘New world Order’ society while others have claimed they are a satanic charter from the devil-worshipping Luciferian society. Some investigations claim they were set up by a secret group of white supremacists while even wilder theories attribute them to extra-terrestrials trying to help humanity.
Even politicians have had their own negative views and recently Kandis Taylor, a defeated Republican gubernatorial (governor) candidate in Georgia, promised to destroy the stones if elected.
According to the Smithsonian Institute, prominent conspiracy theorist Alex Jones has linked them to the Illuminati.
Recently blown up!
On the 6th of July 2022 an explosion rocked the monument completely destroying one of the slabs with the Hindi & Swahili text. Video of the explosion and footage showing a car leaving the site was captured by CCTV Cameras. The Georgia Bureau of Investigation released video footage of the event.
Local authorities were then quick to use a mechanical digger to knock down what remained of the edifice without any pretence of attempted preservation in an alleged attempt to find a buried time capsule. The publicised reason for this action was visitor safety. However, video footage clearly shows the digger simply smashing what remained without any attempt to preserve the surviving slabs and their engravings.
Social media users were quick to raise their concerns:
The Georgia Bureau of Investigation and Elbert County Sheriff’s office are both looking into the event.
Missing Time Capsule
For decades people were under the impression that there was a time-capsule buried under either the monument or the ‘ledger stone’. After the explosion there were ‘requests’ to dig up the capsule. This would mean knocking down the remainder of the monument as it was apparently ‘unsafe’. Permission was immediately granted by Elbert County Board of Commissioners. The explorers claim that although the dug right through to the untouched subsoil and clay – no time capsule was found. Conspiracy theories have already suggested that the time capsule may have been found and then spirited away for safe keeping. Currently, there is no evidence that this occurred.
The Ten Rules for Mankind?
These were the ten ‘commandments’ written on the stones:
- Maintain humanity under 500,000,000 in perpetual balance with nature.
- Guide reproduction wisely – improving fitness and diversity.
- Unite humanity with a living new language.
- Rule passion – faith – tradition – and all things with tempered reason.
- Protect people and nations with fair laws and just courts.
- Let all nations rule internally resolving external disputes in a world court.
- Avoid petty laws and useless officials.
- Balance personal rights with social duties.
- Prize truth – beauty – love – seeking harmony with the infinite.
- Be not a cancer on the Earth – Leave room for nature.
Purpose of the Georgia Guidestones
Some have speculated that it was intended as a declaration of humanity’s impending doom, while others believe that it is a quasi-religious monument meant to guide future generations on how to live their lives in a post-apocalyptic world.
Who Erected the Georgia Guidestones?
The Georgia Guidestones, weighing 119 tonnes, were unveiled to a crowd of around 100 people on March 22, 1980. Because the stones resembled Stonehenge, one audience member, a local preacher, instantly declared his view that they were created for cult and devil worship and so the controversy began.
The identity of those behind the creation and erection of the Georgia Guidestones is shrouded in mystery. It’s not clear who they were or why they chose to erect their monument in this particular location. Some have speculated that the area where they were built has one of the largest granite deposits in the world and is therefore very geologically stable.
The story goes that the Guidestones were erected in 1980 by a man named R.C. Christian, who remains anonymous to this day. Robert C. Christian approached the Elberton Granite Finishing Company and commissioned the project on behalf of a core group of true and loyal Americans. Christian claimed that the stones would serve as a compass, calendar, and clock, and that they should be able to survive “catastrophic occurrences.”
Apparently, they were built on land donated by local farmer James Moseley (who likely had no idea what it was for). The Guidestones were designed to last for 10,000 years and estimated to be able to withstand up to 1,000 years of exposure without changing shape or colour. Sadly, due to the interference of the very people they were hoping to advise, the stones have now been destroyed within just 42 years.
What Next
The only people who know the true story are those who erected the Georgia Guidestones, and they have yet to reveal their secrets. We can only speculate as to why this monument was created and exactly what the ‘message-writers’ hoped to achieve. For many years it was one of Georgia’s most unique attractions and now, almost overnight, it was destroyed and removed.
There has already been talk about reconstructing the monument although this is vague and widely opposed my many Georgia residents. Lee Vaughn, Chairman of the Elbert County Board of Commissioners, confirmed that the county will not take on the task of rebuilding the monument.
So, not only do we have the mystery of who commissioned these monoliths and their motivations but the mystery of who hated it enough to destroy it and why they felt so threatened by what it said. Also, what happened to the time capsule – if it ever existed?
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-[ Ghosts & Hauntings ]-
Ghosts of Chillingham Castle - Britain's Most Haunted
The Ghosts of Chillingham Castle
It’s believed to be the most haunted castle in Britain” which is no surprise, as the castle was the location of at least eight well-recorded and famous executions over the years. It is also said to have been the ghostly lair of Britain’s most prolific torturer and murderer – John Dragfoot!
In 1925, Lady Lenora Tankerville, Mistress of Chillingham Castle, first recorded some of the phantoms and spirits in her manuscript, The Ghosts of Chillingham Castle. Lady Lenora’s first account is of how some stones and plaster fell from the wall in her own bedroom revealing the skeletons of a man and a boy. Their identities where never revealed.
On another occasion, the walled-up corpse of a man was found in the dungeon. He was so well preserved that the workman who discovered the corpse fled in terror thinking him still living. According to Lenora, for a while the body remained intact then quickly turned to dust as fresh air and moisture did their work.
Lady Lenora makes mention of five specific phantoms that she knew about.
The Blue Boy / Radiant Boy
The Blue Boy, a famous phantom, was heard to cry out at midnight in agony or fear shortly before appearing in a halo of light. When the wall of what is today the Pink Room was opened, the skeletal remains of boy dressed in remnants of blue were found.
According to lady Lenora, the noises always emanated from a location near a passage carved through the ten feet thick wall into the next tower, and as the blood-curdling cries faded away, a dazzling halo of light began to develop near the antique four-poster bed. Anyone sleeping there noticed a child clad in blue and surrounded by light approaching them softly. These appearances stopped when lady Lenora had the bones and clothes given a proper burial.
However, in more recent years visitors have reported seeing an electric blue light or halo appearing around the halls of the castle and specifically over a four-poster bed in a tower bedroom. One person even claimed to have seen a young boy dressed all in shimmering blue standing at the end of their bed. It would seem that the Blue Boy or Radiant boy as he is sometimes called, is back.
Lady Mary Berkeley (Lady Grey)
Another well-known ghost, Lady Mary Berkeley, often wanders around the southwest turret stairs and her dress can be heard trailing across the floor most evenings. Many believe that she still searches for her wayward husband who abandoned her. A broken-hearted Lady Mary lived on in the castle with only her baby girl as a companion.
The fact that this rogue left with her own sister, Lady Henrietta, during the reign of King Charles II, sparked a significant controversy and a legal dispute before the renowned—or should we say notorious—Judge Jeffries. Sadly she died aged just 31 – some say she just lost the will to live and must now haunt the castle until her husband returns.
Lady Mary Berkeley, wife of Ford, Lord Grey of Wark and Chillingham, and Earl of Tankerville, is the second most well-known and verified ghost. Some say she is still searching for her missing husband. Even today, as the tragic and worried wraith goes by, one still occasionally hears the rustling of her clothing across the stairs and hallways. An icy shiver soon spreads and chills the witnesses to the bone.
Lady Of The Portrait
The portrait of a beautiful woman is believed to be haunted by the lady herself. During the 1920’s a children’s’ nurse at the castle claimed she had seen the woman in the picture mysterious appear out of the oil painting and walk across the room. One witness might be doubted, but the children and nanny of a visitor to the castle also observed the same occurrence only this time the phantom lady followed them around the room as looking for company. Even more disturbing was the testimony of a visiting psychologist who decided to watch the picture and see what happened. When later asked if he saw anything her replied “No … Nothing malefic”.
However, according to Lady Lenora, the next morning, as the psychologist was strolling through one of the rooms, he stopped in front of an oil painting and cried out. That is the woman I saw the last night!
Lord Tankerville was perplexed by this, and he said, “It is not the one who is reported to walk.” Well, it is the one I saw, his guest said. Later that day, when Lord Tankerville brought up the subject with his former nurse, who was still living at the castle, she immediately said, “Oh, m’Lord, don’t you know? That is the same woman as in the nursery portrait although it when she was considerably older.”
Spectral Voices
Lady Lenora also reported often hearing, as did other people, soft voices as if people were talking in a room down the hall. When she or others tried to listen closely to what they were saying they simply faded away. Specifically, she mentions hearing voices in the library but declares that they weren’t unpleasant and bothered no one.
This phenomenon is still said to occur today although with a lot less frequency. A visitor to the castle wrote on their Facebook that they had heard the voices and rushed into the room from where they where coming. Although he and his wife saw no ghosts, they did report that the room was exceptional cold for a summer’s day and there was a distinctive smell of alcohol and tobacco even though smoking is strictly prohibited inside the castle.
The Thirsty Lady
The final ghost on Lady Lenora’s list is the pale thirsty lady of the silver storage room. Before Lenora arrived a at the castle a footman had been cleaning the silverware in the room when a pale lady asked him for some of his water. He instinctively turned for his mug but when he turned back, she was gone, and the room still locked from the inside. Other visitors to the castle also claimed a similar experience unaware of the original story at the time.
Other ghosts believed to haunt the castle:
John Dragfoot Sage
John Sage’s narrative is immensely deep and violent, full of subtle and merciless torments, sexual encounters, and final vengeance. In summary, Sage was a violent and brutal soldier who became the torturer at Chillingham Castle after an injury in battle. He is said to have murdered over 2,000 Scottish prisoners and was finally executed himself for accidentally killing a warlord’s daughter while having sex. The full story of John Dragfoot and his terrible deeds can be found here. Sage currently holds the title for being the most evil ghost in Britain.
Ghost of the Pantry Man
Many visitors to Chillingham Castle have reported seeing a friendly ghost in the pantry. The spirit of the pantry man is said to have been killed by the cook, who blamed him for stealing food from the kitchen. The story goes that one night as he slept, she crept up behind him with a large knife and chopped off his head. Afterward, she took his body and put it in a barrel filled with brine (an ancient way of preserving meats) and buried him under some rocks outside
The Chanting Monks
No self-respecting haunted castle overlooks the occasional appearance of ghostly monks still chanting their prayers and holy rituals. Chillingham is no exception. They have been seen in the old courtyard and heard at various locations around the castle.
So it would seem that Chillingham Castle is not a place for the faint of heart. It’s dark, it’s isolated, and it’s haunted by the ghosts of its past. If you visit the castle today and hear footsteps or see shadows, then you might be seeing one of these ghosts! Just hope it’s not John Dragfoot Sage.
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-[ Ghosts & Hauntings ]-
The Curse of the Treshams
First time visitors to Lyveden New Bield might think they were looking at the ruin of a once great Elizabethan manor house, but they would be mistaken. The building was actually never finished and today looks almost exactly as it did when the workers abandoned the project in 1605 shortly after the death of its designer and owner, Sir Thomas Tresham (1543 – 1605).
The estate was owned by the Tresham family who were of Norman descent and had their ancestral seat in Rushton, Northamptonshire. The exact origin of the name is uncertain. One suggestion is that it comes from Trefoil which was an emblem of the family. Another suggests that the name itself is probably a derivation of a heraldic nickname comprised of two words; “Trois” meaning ‘Three’ and ‘Chien’ mean dog.
It is easy to believe that that the family was cursed to always choose the losing side. Of the seven men who were heads of the family between 1399 and 1605 one was definitely murdered, and one was definitely executed. A further three were probably murdered and one died young at the age of only 23. Only Sir John Tresham seems to have avoided an unpleasant end and it appears that even he lost some of his property to his brother-in-law. It is easy to believe that that the family was cursed to always choose the losing side.
William Tresham Esq. (1399 – 1450) MURDERED
One of earliest recorded members of the family was William Tresham Esq. of Sywell, Northamptonshire, who married the fabulously wealthy and very pedigreed Isabel de Vaux. It was shortly after this that he started styling himself as Sir William. As a prominent member and Speaker of the early English Parliament he made many enemies and, although he worked for King Henry the IV, he was possibly opposed to the war with France and was indicted for treason immediately after a series of revolts in Kent during 1450. He was murdered before he could be tried, and some historians believe that this was the first death in what would become known as the War of the Roses.
Sir Thomas Tresham (1425 – 1471) EXECUTED
Like his father, Sir Thomas Tresham entered politics and was a supporter of the Lancastrian faction during the War of the Roses. He fought in many battles including Northampton, Wakefield and St. Albans where he was knighted. He was later imprisoned in the Tower of London but pardoned when King Henry regained the throne. After hostilities broke out again and the Lancastrian failure of the battle of Barnet, he went to join the forces of Margaret of Anjou for the Battle of Tewkesbury in Gloucestershire.
The Lancastrians were defeated, and Thomas was captured and executed two days later on the 6th of May 1471. The Manor at Lyveden was confiscated and leased to various tenants.
Sir John Tresham (1462 – 1521) BETRAYED
Sir John Tresham was born at Wolfege Manor in the town of Brixworth, Northamptonshire. He later married Isabel Harrington the daughter of James Harrington. In 1485 he managed to regain the Sywell and Lyveden Manors that had been confiscated from his father. Less than ten years later when his sister Isabel died it seems that her husband Henry Vere used the law of ‘Died Siesed’ to acquire the Sywell Manor. In particular, there are no records that it passed on to any of Sir John’s children.
Sir Thomas Tresham (1498 – 1559) ASSASSINATED?
Sir Thomas was the only Tresham in several centuries who succeeded making the right political alliances for most of his lifetime. He was known as a staunch supporter of Henry VIII and served as Sheriff of Northamptonshire. He was appointed as a Special Commissioner to search for grain and was even selected to investigate Cardinal Wolsey and his possessions after he fell from favour. Naturally this made him many enemies and it is surprising that he survived for as long as he did. Sir Thomas later became the Grand Prior of The Knights Hospitaller of St. John in 1557. It was the Hospitallers who had taken over many of the possessions of the Knights Templar when they were persecuted and destroyed in 1305. In 1536 he occupied Lyveden Manor and in 1540 was granted the right to create a 420-acre estate surrounding the original house which had been associated with the family since around 1448. Very little remains of the original manor house known as the Old-Build (Old-Bield). A single wing still exists along with the original mullioned windows. The staircase is said to have been relocated to the USA and the gatehouse to Fermyn Woods Hall. Thomas survived the death of Henry VIII and proclaimed Mary Tudor as Queen in 1553. He even accompanied her to London and what would be her coronation. His sympathies were now clear and as a Catholic he was in no danger from ‘Bloody Mary’ who had more than 280 Protestant enemies burned at the stake. Thomas died in 1559 less than a year after Queen Mary and very shortly after Queen Elizabeth I had assumed the throne. There has been some speculation that he may have been assassinated by agents of the new queen with or without her knowledge.
John Tresham 2nd (1522 – 1548) DIED YOUNG
John was the son of Thomas and, aged only 21, married Eleanor Catesby in 1943. Within a year his wife gave birth to a son Thomas. John died at the age of 26 and 16 years before his father.
Sir Thomas Tresham (1543 – 1605) PERSECUTED / MURDERED?
Young Thomas was brought up by his mother and his grandfather. When Thomas Snr. died in 1559 he inherited the Lyveden Estate and began a building programme that would leave behind some of the strangest follies and ruins in Britain. Born a Protestant but brought up as a Catholic with deep convictions he was suspicious of the new Protestant creed and very reluctant to embrace it in any form. Regardless of his private beliefs he was initially a staunch supporter of the new queen and was knighted in 1575 at the royal progression in Kenilworth.
To begin with Queen Elizabeth I appeared tolerant of Catholicism even though its proponents had tried to have her declared illegitimate as she was born a Protestant. However, as time went by and various Catholic plots to replace her were exposed, she endorsed increasingly aggressive and brutal forms of persecution. The threat posed by Mary Queen of Scots and the ever-present political difficulties between England and Catholic Spain meant that Elizabeth drifted slowly but surely towards pure Protestantism. It’s therefore surprising that in 1580 Sir Thomas openly converted to the Catholic Faith.
Over the following years he was subjected to fines that drained much of his wealth and was even imprisoned in Wisbech Castle for his beliefs. Between 1561 and 1593 he spent approximately 15 years in prison or confined to his estate. Unable to express his faith in any conventional way he decided to construct a series of buildings based on the number three and its relationship to the holy trinity as proposed by the Roman Catholics. In addition, each building would have other mystical mathematical elements worked into their design. The enigmatic Triangular Lodge at Rushton was completed in 1597 but Sir Thomas died on the 11th of September 1605 shortly before his son Francis was arrested for high treason on the 12th of November 1605 and before Lyveden-New-Bield could be finished.
Francis Tresham (1571 – 1605) A FAILED GUNPOWDER PLOT THEN POISONED
The story of Francis Tresham, Guy Fawkes and the Gunpowder Plot of 1605 should really be told in full as it both curious and mysterious but for now it’s enough to say that a group of Catholics were disillusioned when King James took over the throne from Queen Elizabeth I and decided to ‘blow-up’ the entire Protestant Government of England. Barrels of gunpowder were hidden in a cellar under the houses of Parliament but just before the plot could succeed it was discovered and the conspirators revealed. Many historians believe that the failure of the plot can be traced to a warning letter that was sent to the brother-in-law of Sir Francis Tresham. The letter was shown to the wrong people and the Houses of Parliament were searched. The explosives were found and the rest is history. England remained Protestant, the conspirators were hunted down and arrested. Sir Francis was imprisoned in the Tower of London. The charge was High Treason which was most definitely a capital offense. In fact, he never faced trial as within six weeks he was dead of a severe urinary tract infection. A significant number of historians believe that as Tresham’s role in the conspiracy was ambiguous and may have led to a lengthy and disturbing trial he was poisoned to ensure a swift end to matter. Although it has never been proven, it was almost certainly Sir Francis Tresham who wrote the letter that revealed the plot. After his death his head was hacked from his body and displayed in Northampton along with those of his fellow conspirators. The Tresham estates nominally passed to Lewis Tresham whose spending was briefly kept in check by his mother before she died in 1615. In 1643 what remained was sold off to cover debts incurred by Sir Thomas and Lewis himself. Those working on the construction of Lyveden New Bield simply walked off the site after the death of Sir Thomas and the arrest of Sir Francis.
They had correctly concluded that no more money or wages would be forthcoming. It is also highly possible that they wanted nothing to do with a family that had tried to kill a king. The building remains almost exactly as it was left. The last skeleton in the mysterious Tresham cupboard.
The Tragic Hope Diamond Curse
Stolen from a god, many believe that this is the most cursed gemstone to ever exist
The Victims of Tutankhamun’s Curse Revealed
Some say the curse was nothing but coincidences but there is no denying that many associated with the discovery of the tomb did die in unfortunate circumstances.
The Curse of the Treshams
It is easy to believe that that the Tresham family was cursed. What happened to them over the course of three hundred years is both shocking and gruesome.
Theories about the Dyatlov Pass Incident
For those who don’t already know the story – a team of nine people hiking in the Ural Mountains suddenly cut a hole in their tent in the middle of the night and fled to a nearby forest. In sub-zero temperatures their chances of survival were poor and they died. But why did they do it?
Death of Kurt Cobain Still Debated, Still Mysterious!
Almost as soon as the Nirvana lead singer Kurt Cobain, was found dead in the greenhouse of his home in Lake Washington on 8 April 1994, the speculation began that instead of suicide this was murder.
Suspicions Still Linger Around the Tragic Death of Actress Natalie Wood
Natalie Wood was almost as popular as Marilyn Monroe, She was at the peak of her success then suddenly died in mysterious and suspicious circumstances.
Mysterious Geoglyphs from Around the World
Geoglyphs (land pictures) are usually large artworks that have been etched into the landscape and are best viewed from above. These are the top ten best and most mysterious geoglyph sites – three of which are in the United Kingdom. All of these geoglyphs can be seen using Google Earth.
UFFINGTON WHITE HORSE
Located near to the village of Uffington in Oxfordshire, England, is one of the oldest and most famous geoglyphs in the world. Using modern OSL dating it is calculated that it was first created around 1,000BC.
The figure is believed to be that of a stylised running horse although a review of the original head structure and curvature of the legs has caused some researchers to suggest that it actually a represents a large cat from the lion or leopard family. However, as early references from Abbingdon Abbey, which date back to 1072 AD, refer to the area where it is found as “Mons Albi Equi” (Hill-White-Equine) it is generally accepted to be a horse.
What is most remarkable is that the figure was created by carving through turf to reveal the white chalk underneath. As such it requires regular maintenance, or it will disappear within 150 years. This means there has been an unbroken chain of people prepared to look after this prehistoric monument for 3,000 years.
CERNE ABBAS GIANT
Also known as the Rude Man of Cerne, this huge British geoglyph depicts a naked and priapic man holding a primitive club in his right hand. It is 55 metres in length and 50.5 metres wide if measured from hand to hand. The geoglyph was created by carving through the turf of the hillside to a depth of approximately 30cm to reveal the underlying chalk common in this region. The figure is located close to the village of Cerne Abbas in Dorset, England. The date that it was made is uncertain. According to the National Trust there is no record of the Cerne Abbas Giant before 1694 and in 1774, a local historian, the Rev. John Hutchins attributed its creation to the owner of the land, Lord Holles.
Some of the features of the geoglyph have been lost over time and tests have shown that its left hand probably once clutched a severed head. Theories about what it represents range from a political caricature of Oliver Cromwell to an ancient fertility symbol. Features of the Giant are reminiscent of the hero Hercules and this has led to speculation that it may have started as a classical representation and over time the originally smaller genitals were combined with the giant’s navel (belly button) to create the very masculine figure of today.
A significant group of researchers believe that the figure dates back to the time of Emperor Marcus Aurelius Commodus who is recorded as being a great believer in the cult of Hercules to the point of including the hero’s name in his own. Some say that the Roman Governor of Britain, Ulpius Marcellus may have commissioned the original carving in 183 AD as a tribute to the hero.
THE NEVADO SAJAMA AND GEOGLYPHS
Although they are now hard to see from ground level, and do not depict anything recognisable, the lines etched into the landscape of the Sajama region of Bolivia are almost certainly the largest geoglyphs in the world. Collectively the lines measure in excess of 160,000m and cover an area of 22,525 square kilometres.
They are incredibly straight even across uneven and rugged terrain and form a network of geometric shapes that tend to intersect at shrines, burial towers and small villages. This pattern has led archaeologists to speculate that they probably had a religious significance.
The lines were constructed by removing the dark upper layer of soil to expose the lighter substrate beneath. These geoglyphs were discovered by western explorer-travellers in the late 1920’s and the earliest written account in English was made in 1931(33) by Swiss Professor Aimé Felix Tschiffely who rose to fame after riding on horseback from to Argentina to Washington DC.
THE LONG MAN OF WILMINGTON
Located near to the town of Wilmington in the South Downs (hills) of East Sussex, England, the ‘Long Man’ is a turf-cut figure of a man holding two staves. Historians are uncertain when it was created with estimates ranging from around 1690 AD to as early as 2,000 BC.
With a length of seventy metres it is the tallest anthropomorphic geoglyph in Europe. Over the years aspects of the Long Man of Wilmington have changed. Drawings made by William Burrell in 1766 show that it once held a rake and a scythe although these were probably modifications made after 1710 when the figure was recorded by John Rowley as having facial features and a helmet. In this case the staves were probably once spears.
It is considered a sacred site by Pagans and was probably a representation of an Anglo-Saxon war god. Local residents of Wilmington are said to believe that it is prehistoric dating back to the Neolithic period. In 2010 a large phallus was painted on to the figure similar to that of the Cerne Abbas Giant. This was swiftly removed.
THE PARACAS CANDELABRA
The Paracas Candelabra is a geoglyph excavated on a sandy hillside overlooking Pisco bay on the Paracas peninsular of central eastern Chile. It is almost perfectly aligned north to south and can be seen up to 19 kilometres (12miles) out to sea.
Based on pottery found in the area it is believed to be the work of the pre-Incan Paracas peoples. There is much debate regarding what it represents as it is unlikely that such highly stylised candelabra were in use during the period of its construction. Visually it is similar to some examples of the Atacama Giant Cactus – even down to the fruiting buds. Author Frank Joseph states with certainty that it is a representation of a narcotic plant known as Jimson Weed. Some claim it’s a trident while others suggest it was a landmark built by ancient sailors to help them locate a harbour. Local guides often refer to it as (Candelabro de Tres Brazos) The ‘Candelabra with Three Arms’ or even ‘The Sign of the Three Crosses” although this is likely to have been adopted after the arrival of the Spanish.
It is generally considered unlikely that this geoglyph is related to the mysterious Nazca Lines located only 160 kilometres to the southwest of Paracas. It is remarkable that the design has survived as long as it has given that the word Paracas actually refers to high winds and sandstorms – some of which can last for up to three days.
Traditionally the geoglyph is viewed north to south and from the coast. However, if the design is viewed from the hilltop, it can look like a crucifix supported by two diagonal struts and draped with hanging cloths. It looks as if it will remain a mystery for the foreseeable future.
THE NAZCA LINES / SPIDER
The World’s most famous geoglyphs are probably the pictograms and lines etched into the Pampas de Jumana in Peru. Recognised as the ancient nation that managed to ‘green’ a desert, the Nazca were also skilled artists and craftsmen who decorated not only their pots and clothing with fascinating designs but the entire arid plateau where they lived.
From 400 AD to about 650 AD the Nazca etched countless lines and pictures into the plateau by the simple process of scraping away the upper layer of reddish soil and pebbles to reveal the lighter substrate underneath.
The first European to recognise the Lines was American anthropologist, Alfred Kroeber in 1926. The extraordinary scale of the drawings was first identified by Paul Kosok during the early 1930’s. However, the real exploration of the area was undertaken by his onetime assistant Maria Reiche. Originally a German mathematician, She dedicated her life to studying the Nazca and was the first person to identify a creature in 1946 which turned out to be a gigantic spider. Since then hundreds of lines and more than 30 animals have been recorded including an orca, a new world monkey, fish, sharks, llamas and several types of bird.
The fact that the geoglyphs can only truly be seen from above has led to significant speculation that the Nazca had access to some form of aircraft. Some even more sensationalist writers have claimed that these were meant to be seen by extra-terrestrials. Mainstream archaeologists believe that they were created for a religious purpose most likely connected to water and its importance to the agricultural survival of the Nazca. (Etchings created by the removal of reddish pebbles and soil to reveal lighter substrate)
THE ATACAMA GIANT (Gigante de Tarapacá.)
The Atacama Desert in northern Chile is home to the largest collection of pictorial geoglyphs yet discovered. In total more than 5,000 examples have been located and recorded. While many of the figures are of animals and humans one anthropomorphic geoglyph stands out as a mysterious and extraordinary example of ancient land art.
Close to the town of Huara and on the eastern slope of Cerro Unita is the Atacama Giant – a humanoid yet robot-like figure apparently created in the Lluta style which tends to have long narrow legs combined with a square head. At 86 metres in length (not the 115m often quoted) it is the largest human-like ancient geoglyph in the world and 31 metres longer than the Cerne Abbas Giant. It is believed to be a representation of a pre-Incan shaman and is said to be holding a medicine bag and arrow (quill).
The square face may be a stylised representation of a jaguar mask. Experts have estimated that it dates from between 800 and 1400 AD with the most likely date being c. 900 AD. According to some sources the lines extending from the top of the giant’s head represent magical rays and can be used as an astronomical calendar to predict seasons and rainfall. It is also known locally as the Gigante de Tarapacá.
“It is worth noting that similarity between the Atacama Giant and an alien in a space suit continues to be the subject of much debate. The key point is that the ancient artists accurately represented other creatures they drew so why is the ‘Giant’ so stylised?”
THE BLYTHE INTAGLIOS
There are very few examples of large human-like geoglyphs, and these are found mainly in Britain and America. A more recent example, the Marree Man, has appeared in Australia but is probably less than twenty-five years old. This rarity only increases the importance of the Blythe Intaglios.
Located in the Colorado Desert of California and 22km north of Blythe are a number of enormous figures etched into the ground. The largest is a human figure approximately 52 metres in length. Known as anthropomorphic geoglyphs they were probably created by the by Native American Quechan (Yuma) and Mojave peoples and represent the only collective group of human-like figures anywhere in the world.
In total there are approximately 60 humanoid figures. In almost all of the examples studied, the chest and torso has been much more deeply etched than other parts of the body.
They were first discovered by Europeans in 1932 AD and are believed to have been created around 1000 AD but may well be much older. Archaeologists and historians agree that they are most likely representations of figures from Yuman mythology.
THE BOCA DO ACRE AMAZON GEOGLYPHS
While most of the world’s major geoglyphs were first identified many decades ago a new and surprising discovery in Brazil has forced scientists and archaeologists to review their perceptions of pre-Columbian civilisations. Deforestation of the Amazon jungle, particularly in the southwest, has revealed hundreds, if not thousands, of previously unknown geometric geoglyphs that are only visible on satellite images. Circles, squares and interlinking lines have appeared in numerous places and seem to be evidence of a previously unknown civilisation that may have numbered more than 60,000 people.
Hints of these markings first appeared in aerial photographs taken during the 1970’s but it was only when archaeologists started using Google Earth around 2006 than the true scale of deforestation and the number of geoglyphs became apparent. Whether they are cosmetic designs or are the remains of towns and roads must still be confirmed. Of equal importance is whether the area in which they were built was once open land or were these shapes carved out of the jungle?
Believed to date back to between 1000 and 600 AD some excellent examples can be found on Google Earth in the fields around the municipality of Boco do Acre, Brazil. The total site includes 100’s of geometric patterns probably the remains of deep earthworks related to pre-Columbian human habitation in the region.
THE STEPPE GEOGLYPHS OF KAZAKHSTAN
The steppe geoglyphs of Kazakhstan are the world’s largest outdoor art project. They’re also one of the most mysterious. The Turgai region, a remote and largely unknown place, is home to these giant designs that cover thousands of square miles of grassy steppe. But who made them? And why?
They are not known to be religious; they are not known to be burial grounds, they are not known to be astronomical (there’s no evidence of any kind that these shapes were designed by ancient people who understood celestial movements), they’re not territorial markers or roadways, and there’s no obvious reason for their creation.
The earthworks’ formation date has been the subject of significant debate; some accounts place its age at 8,000 years, while others place them closer to 2,800. Some academics think they were made by the nomadic Mahandzhar people, who previously frequented the region.
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At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti.
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Geoglyphs (land pictures) are usually large artworks that have been etched into the landscape and are best viewed from above. These are the top ten geoglyph sites – three of which are in the United Kingdom. All of these geoglyphs can be seen using Google Earth.
UFFINGTON WHITE HORSE
Located near to the village of Uffington in Oxfordshire, England, is one of the oldest and most famous geoglyphs in the world. Using modern OSL dating it is calculated that it was first created around 1,000BC.
The figure is believed to be that of a stylised running horse although a review of the original head structure and curvature of the legs has caused some researchers to suggest that it actually a represents a large cat from the lion or leopard family. However, as early references from Abbingdon Abbey, which date back to 1072 AD, refer to the area where it is found as “Mons Albi Equi” (Hill-White-Equine) it is generally accepted to be a horse.
What is most remarkable is that the figure was created by carving through turf to reveal the white chalk underneath. As such it requires regular maintenance, or it will disappear within 150 years. This means there has been an unbroken chain of people prepared to look after this prehistoric monument for 3,000 years.
CERNE ABBAS GIANT
Also known as the Rude Man of Cerne, this huge British geoglyph depicts a naked and priapic man holding a primitive club in his right hand. It is 55 metres in length and 50.5 metres wide if measured from hand to hand. The geoglyph was created by carving through the turf of the hillside to a depth of approximately 30cm to reveal the underlying chalk common in this region. The figure is located close to the village of Cerne Abbas in Dorset, England. The date that it was made is uncertain. According to the National Trust there is no record of the Cerne Abbas Giant before 1694 and in 1774, a local historian, the Rev. John Hutchins attributed its creation to the owner of the land, Lord Holles.
Some of the features of the geoglyph have been lost over time and tests have shown that its left hand probably once clutched a severed head. Theories about what it represents range from a political caricature of Oliver Cromwell to an ancient fertility symbol. Features of the Giant are reminiscent of the hero Hercules and this has led to speculation that it may have started as a classical representation and over time the originally smaller genitals were combined with the giant’s navel (belly button) to create the very masculine figure of today.
A significant group of researchers believe that the figure dates back to the time of Emperor Marcus Aurelius Commodus who is recorded as being a great believer in the cult of Hercules to the point of including the hero’s name in his own. Some say that the Roman Governor of Britain, Ulpius Marcellus may have commissioned the original carving in 183 AD as a tribute to the hero.
THE NEVADO SAJAMA AND GEOGLYPHS
Although they are now hard to see from ground level, and do not depict anything recognisable, the lines etched into the landscape of the Sajama region of Bolivia are almost certainly the largest geoglyphs in the world. Collectively the lines measure in excess of 160,000m and cover an area of 22,525 square kilometres.
They are incredibly straight even across uneven and rugged terrain and form a network of geometric shapes that tend to intersect at shrines, burial towers and small villages. This pattern has led archaeologists to speculate that they probably had a religious significance.
The lines were constructed by removing the dark upper layer of soil to expose the lighter substrate beneath. These geoglyphs were discovered by western explorer-travellers in the late 1920’s and the earliest written account in English was made in 1931(33) by Swiss Professor Aimé Felix Tschiffely who rose to fame after riding on horseback from to Argentina to Washington DC.
THE LONG MAN OF WILMINGTON
Located near to the town of Wilmington in the South Downs (hills) of East Sussex, England, the ‘Long Man’ is a turf-cut figure of a man holding two staves. Historians are uncertain when it was created with estimates ranging from around 1690 AD to as early as 2,000 BC.
With a length of seventy metres it is the tallest anthropomorphic geoglyph in Europe. Over the years aspects of the Long Man of Wilmington have changed. Drawings made by William Burrell in 1766 show that it once held a rake and a scythe although these were probably modifications made after 1710 when the figure was recorded by John Rowley as having facial features and a helmet. In this case the staves were probably once spears.
It is considered a sacred site by Pagans and was probably a representation of an Anglo-Saxon war god. Local residents of Wilmington are said to believe that it is prehistoric dating back to the Neolithic period. In 2010 a large phallus was painted on to the figure similar to that of the Cerne Abbas Giant. This was swiftly removed.
THE PARACAS CANDELABRA
The Paracas Candelabra is a geoglyph excavated on a sandy hillside overlooking Pisco bay on the Paracas peninsular of central eastern Chile. It is almost perfectly aligned north to south and can be seen up to 19 kilometres (12miles) out to sea.
Based on pottery found in the area it is believed to be the work of the pre-Incan Paracas peoples. There is much debate regarding what it represents as it is unlikely that such highly stylised candelabra were in use during the period of its construction. Visually it is similar to some examples of the Atacama Giant Cactus – even down to the fruiting buds. Author Frank Joseph states with certainty that it is a representation of a narcotic plant known as Jimson Weed. Some claim it’s a trident while others suggest it was a landmark built by ancient sailors to help them locate a harbour. Local guides often refer to it as (Candelabro de Tres Brazos) The ‘Candelabra with Three Arms’ or even ‘The Sign of the Three Crosses” although this is likely to have been adopted after the arrival of the Spanish.
It is generally considered unlikely that this geoglyph is related to the mysterious Nazca Lines located only 160 kilometres to the southwest of Paracas. It is remarkable that the design has survived as long as it has given that the word Paracas actually refers to high winds and sandstorms – some of which can last for up to three days.
Traditionally the geoglyph is viewed north to south and from the coast. However, if the design is viewed from the hilltop, it can look like a crucifix supported by two diagonal struts and draped with hanging cloths. It looks as if it will remain a mystery for the foreseeable future.
THE NAZCA LINES / SPIDER
The World’s most famous geoglyphs are probably the pictograms and lines etched into the Pampas de Jumana in Peru. Recognised as the ancient nation that managed to ‘green’ a desert, the Nazca were also skilled artists and craftsmen who decorated not only their pots and clothing with fascinating designs but the entire arid plateau where they lived.
From 400 AD to about 650 AD the Nazca etched countless lines and pictures into the plateau by the simple process of scraping away the upper layer of reddish soil and pebbles to reveal the lighter substrate underneath.
The first European to recognise the Lines was American anthropologist, Alfred Kroeber in 1926. The extraordinary scale of the drawings was first identified by Paul Kosok during the early 1930’s. However, the real exploration of the area was undertaken by his onetime assistant Maria Reiche. Originally a German mathematician, She dedicated her life to studying the Nazca and was the first person to identify a creature in 1946 which turned out to be a gigantic spider. Since then hundreds of lines and more than 30 animals have been recorded including an orca, a new world monkey, fish, sharks, llamas and several types of bird.
The fact that the geoglyphs can only truly be seen from above has led to significant speculation that the Nazca had access to some form of aircraft. Some even more sensationalist writers have claimed that these were meant to be seen by extra-terrestrials. Mainstream archaeologists believe that they were created for a religious purpose most likely connected to water and its importance to the agricultural survival of the Nazca. (Etchings created by the removal of reddish pebbles and soil to reveal lighter substrate)
THE ATACAMA GIANT (Gigante de Tarapacá.)
The Atacama Desert in northern Chile is home to the largest collection of pictorial geoglyphs yet discovered. In total more than 5,000 examples have been located and recorded. While many of the figures are of animals and humans one anthropomorphic geoglyph stands out as a mysterious and extraordinary example of ancient land art.
Close to the town of Huara and on the eastern slope of Cerro Unita is the Atacama Giant – a humanoid yet robot-like figure apparently created in the Lluta style which tends to have long narrow legs combined with a square head. At 86 metres in length (not the 115m often quoted) it is the largest human-like ancient geoglyph in the world and 31 metres longer than the Cerne Abbas Giant. It is believed to be a representation of a pre-Incan shaman and is said to be holding a medicine bag and arrow (quill).
The square face may be a stylised representation of a jaguar mask. Experts have estimated that it dates from between 800 and 1400 AD with the most likely date being c. 900 AD. According to some sources the lines extending from the top of the giant’s head represent magical rays and can be used as an astronomical calendar to predict seasons and rainfall. It is also known locally as the Gigante de Tarapacá.
“It is worth noting that similarity between the Atacama Giant and an alien in a space suit continues to be the subject of much debate. The key point is that the ancient artists accurately represented other creatures they drew so why is the ‘Giant’ so stylised?”
THE BLYTHE INTAGLIOS
There are very few examples of large human-like geoglyphs, and these are found mainly in Britain and America. A more recent example, the Marree Man, has appeared in Australia but is probably less than twenty-five years old. This rarity only increases the importance of the Blythe Intaglios.
Located in the Colorado Desert of California and 22km north of Blythe are a number of enormous figures etched into the ground. The largest is a human figure approximately 52 metres in length. Known as anthropomorphic geoglyphs they were probably created by the by Native American Quechan (Yuma) and Mojave peoples and represent the only collective group of human-like figures anywhere in the world.
In total there are approximately 60 humanoid figures. In almost all of the examples studied, the chest and torso has been much more deeply etched than other parts of the body.
They were first discovered by Europeans in 1932 AD and are believed to have been created around 1000 AD but may well be much older. Archaeologists and historians agree that they are most likely representations of figures from Yuman mythology.
THE BOCA DO ACRE AMAZON GEOGLYPHS
While most of the world’s major geoglyphs were first identified many decades ago a new and surprising discovery in Brazil has forced scientists and archaeologists to review their perceptions of pre-Columbian civilisations. Deforestation of the Amazon jungle, particularly in the southwest, has revealed hundreds, if not thousands, of previously unknown geometric geoglyphs that are only visible on satellite images. Circles, squares and interlinking lines have appeared in numerous places and seem to be evidence of a previously unknown civilisation that may have numbered more than 60,000 people.
Hints of these markings first appeared in aerial photographs taken during the 1970’s but it was only when archaeologists started using Google Earth around 2006 than the true scale of deforestation and the number of geoglyphs became apparent. Whether they are cosmetic designs or are the remains of towns and roads must still be confirmed. Of equal importance is whether the area in which they were built was once open land or were these shapes carved out of the jungle?
Believed to date back to between 1000 and 600 AD some excellent examples can be found on Google Earth in the fields around the municipality of Boco do Acre, Brazil. The total site includes 100’s of geometric patterns probably the remains of deep earthworks related to pre-Columbian human habitation in the region.
THE STEPPE GEOGLYPHS OF KAZAKHSTAN
The steppe geoglyphs of Kazakhstan are the world’s largest outdoor art project. They’re also one of the most mysterious. The Turgai region, a remote and largely unknown place, is home to these giant designs that cover thousands of square miles of grassy steppe. But who made them? And why?
They are not known to be religious; they are not known to be burial grounds, they are not known to be astronomical (there’s no evidence of any kind that these shapes were designed by ancient people who understood celestial movements), they’re not territorial markers or roadways, and there’s no obvious reason for their creation.
The earthworks’ formation date has been the subject of significant debate; some accounts place its age at 8,000 years, while others place them closer to 2,800. Some academics think they were made by the nomadic Mahandzhar people, who previously frequented the region.
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UFO's & The Strange Death of Morris Jessup
Dr. Morris Jessup was a researcher interested in unexplained aerial phenomena who authored one of the most contentious books of the 1950’s – The Case for the UFO. A significant part of his book focused on how UFOs fly, what is their energy source, enabling them to move so swiftly and carry out very sophisticated aerobatics, such as sudden stops, fast straight twists, etc. He went on to write a further three books on the subject – UFOs and the Bible, The UFO Annual (both 1956), and then in 1957 – The Expanding Case for the UFO. These collated documents along with annotations found later have become known as the Varo Papers.
In 1959, Jessup disappeared mysteriously and was later found dead in his car on the side of the road in Dade County, Florida. However, a fair number of people think that his death was staged and not a suicide as reported.
ANTIGRAVITY THEORIES
Jessup thought that the world of gravity held the key to important solutions. accurately in the absence of gravity. Additionally, Jessup soon attracted the attention of “US Military Specialists,” including senior US Navy officers, as he stated it in his own words following the publication of the book.
When the US Navy approached Jessup and directly requested information about his book and the anti-gravity technology it claimed, his suspicions grew. When Jessup began speaking with them, they purportedly pressed him for information about the Philadelphia experiment.
The Philadelphia experiment or the Eldridge experiment is not acknowledged as a truth but is rather regarded as a simple story; nonetheless, in UFO sources, it is referred to as absolutely true and offers a great deal of indirect proof of this.
It was allegedly part of a top-secret project to harness electromagnetic fields to render battleships invisible to enemy eyes. The experiment’s target was the USS Eldridge, however something went wrong with the test in 1943 and the ship really vanished.
The Eldridge question frightened Jessup to the point of telling US Navy officials everything he knew about it, and he received what appeared to be a satisfied response. They might have merely wanted to know if Jessup had learned more about this experiment than had already leaked.
It seemed that Jessup believed that many (if not most) reported sightings of UFOs were in fact US warships or aircraft, and that anti-gravity technology had formerly been used, especially in the renowned Eldridge ship project (Philadelphia experiment of 1943).
A FRIGHTENED MAN
As he published more material Jessup became increasingly concerned that what he was doing would have severe consequences for himself and possibly his family. He developed paranoia and a great deal of fear about being monitored. He often thought that various objects in his office were obviously changed from their normal locations, which made him think that someone had entered the area and meticulously checked everything before leaving the house.
MEN IN BLACK
It’s alleged that Jessup received a visit from some beings that we would now refer to as ‘men in black’. Were they government agents or perhaps even extra-terrestrial? Either way whatever they communicated to him aggravated his already upset mental state.
Jessup was already quite terrified and paranoid, and this visit simply made things worse for him. He started to see men in black suits lurking in the shadows of nearby homes, and the mail and other objects he found in his mailbox had clear indications of having been opened and resealed.
Jessup specifically thought that the “special weapons” department of the US Navy’s special office was watching him.
In July or August of 1958, Jessup sent writer and researcher Ivan T. Sanderson of New York his PX study materials for protection “in case anything should happen to me.” This information included his own private notes and his own annotated copy of the Varo Edition, the only copy of which is known to exist and include his counter-comments.
Morris Jessup experienced an increase in anxiety and irritability every day, which culminated on the evening of April 20, 1959, when his lifeless body was discovered in his own car, which was parked at Florida’s Matheson Hammock Park, Miami.
ASSASSINATION NOT SUICIDE
John Goode, a worker at the park, was the one who discovered the body. Goode quickly contacted the police, who after arrived and noted the scene.
A hose connected to the exhaust pipe had been stuffed through the driver-side window while the car’s engine was still running. Jessup had died as a result of breathing carbon monoxide.
Even while it appeared that Jessup had killed himself, not everyone was so confident in this conclusion. For a start, the setup of the car would have been done in daylight in a public area and yet nobody noticed or intervened.
Towels had been used to seal the windows, yet it was never concluded where these came from. Jessup’s wife denied they were the family’s and there was no sign that Jessup had recently bought them.
Jessup had been in an unusually good mood the night before and had made arrangements to meet a friend on the day he died. In fact, Jessup had requested that Dr. Valentine to join him for lunch because he had something amazing to show him. As a result of Jessop’s death, Valentine was never made aware of what exactly Jessup had discovered or uncovered.
LACK OF INVESTIGATION
A notable concern regarding Jessup’s death was that it did not seem to be investigated by the police. According to various reports, they failed to interview possible witnesses and did not conduct a thorough investigation. Police Sergeant Obenclain was at the scene just after after Jessup’s body was found, has said for the record, “Everything seemed too professional.”
The police report stated that all injuries were consistent with suicide but does not provide any evidence or reasoning to support this claim. There is also no mention of an autopsy being completed on Jessup’s body, which would have been standard procedure for any suspicious death in Florida at the time.
Additionally, there is little information about Jessup’s death available from other sources: apparently, the coroner never released a report on it; there are no records at all from local newspapers that cover events like this one; and even the FBI decided against conducting a formal investigation into his suicide.
WHO BENEFITED FROM JESSUP’S DEATH?
THE US NAVY: It has been suggested that although Jessup had become increasingly erratic, he may have found out something that the US Navy wanted to keep quiet. This may have been something to do with the alleged USS Eldridge or something completely different.
ALIENS: It has been suggested that since the discovery of the nuclear bomb, advanced extra-terrestrial aliens have been directly in contact with world leading governments to help keep the peace and prevent all out atomic war. Jessup had become an irritation to the MIB and was silenced.
JESSUP HIMSELF. According to many reports Jessup had become despondent and disillusioned. He’d been the victim of a UFO fraud, discredited, divorced and disconnected. Suicide was certainly an option to solve his problems once and for all.
STILL A MYSTERY
Researchers are still baffled by what took place. Was Jessup assassinated because he had found out too much, or did he actually just kill himself? Either way, there are some very strange facts about his death which, over the decades, have become repeatedly questioned.
It seems improbable that we will ever fully understand the truth behind this intriguing and tragic event. However it is worth noting that many UFO researchers have allegedly died in unusual circumstances. Some of these are suggested as U.S. Secretary of Defence, James Forrestal, writer Danny Casolaro, journalist Paul Lance, UFO witness Arthur Bryant, nurse Miriam Bush.
It’s also been asserted that researcher Otto Binder contended that at least 137 UFO investigators ‘passed away’ in the 1960s as a result of ‘unexplained’ circumstances. According to Timothy Hood’s 30-year study, since the 1970s there have been countless instances of UFO researchers and investigators being killed, dying suddenly, or falling victim to strange “suicides” or natural causes that are difficult to prove.
This article is just a short summary of the Jessup UFO case. Several in depth books have been published on the matter including: The Philadelphia Experiment Chronicles: Exploring The Strange Case Of Alfred Bielek And Dr. M.K. Jessup, The Jessup Dimension: From The Philadelphia Experiment, UFOs, and Time Travel to Mothman, Montauk, and Murder by Anna Genzlinger & Andrew Colvin, The Strange Case Of Dr. M. K. Jessup by Gray Barker.
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John Dragfoot Sage - The Most Evil Ghost In Britain
John Sage, the jailer of Chillingham Castle in Northumberland, England, was one of the most evil and brutal men to have ever lived.
Chillingham Castle is full of ghosts, including that of John Sage. This spectre is considered the most-evil ghost in all of Britain. Here’s everything you need to know about why this ghost is so terrifying.
One of the most vicious torturers and executioners in British history was John Sage, the jailer of Chillingham Castle in Northumberland, England. Sage lived during a time when the wealthy and powerful were largely above the law and could do as they pleased with whomever they wanted for any reason or for no reason at all. This all gave Sage license to indulge his darkest desires as long as he did it under the auspices of a royal warrant.
A Brutal Soldier
By all accounts, Sage was originally a handsome but brutal soldier who had risen through the ranks of King Edward I (Longshanks) army to the rank of lieutenant. He hated his men; he hated his horse and he hated not being more powerful himself. Most of all he hated William Wallace and the Scots that had rebelled north of the English border.
King Edward, also known as the ‘Hammer of the Scots’ had marched his army north hoping to engage in full battle with Wallace but instead faced a never-ending series of hit and run attacks from the Scots that demoralised his army and frustrated his efforts.
During one of these attacks, John Sage was injured in the leg, and it soon became clear that he would never lead men into battle again. Some say he begged King Edward for another role, some say Edward saw and opportunity to get back at the Scots but either way, John Sage – now known as ‘Dragfoot’ was made chief jailer, interrogator, and torturer at Chillingham Castle.
Hatred of the Scots
Due to his injury, his hatred of the Scots had matured into a deep and evil loathing that needed an outlet and, as the torturer at the castle, he found it.
King Edward needed to find the rebel Leader William Wallace and John Dragfoot needed revenge – it was a match made in hell and sealed by the devil himself. Soon a stream of Scottish soldiers and unfortunate villagers were being sent to Chillingham to be questioned regarding the whereabouts of Wallace.
Sage was mainly employed by Edward between 1296 and 1299. Tasked with torturing and killing Scottish prisoners held at Chillingham Castle he reportedly took his job very seriously. He used many methods for brutalizing his victims but burning them alive seems to have been his preferred choice. He even wore a hood made from the blackened skin of his victims. The horrifying smell drove some waiting prisoners mad with fear, while others went insane from suffering such prolonged exposure slow fire. The question was always the same – where’s William Wallace? When there was nothing more to be learned Sage would personally choke his victims to death taking a vile and twisted satisfaction in feeling the life leave their bodies.
According to some accounts, around 50 Scottish prisoners were sent to Chillingham Castle every week to be questioned. These included women and children. If this is true, then 200 or more victims a month is a staggering number and would have kept ‘Dragfoot’ busy day and night. He certainly had the all the torture equipment he needed – some of which he’d invented himself.
The dungeon was said to have had a stretching rack, spiked drum, iron maiden, the infamous expanding metal pears, devil claws, the mangler and a chair of nails. However, Sage’s favourite device was the cage, a metal enclosure shaped like a person that pinned the victim tightly inside while he slowly cooked them over an open fire. There’s no doubt that his brutality went far beyond just torture, and he is said to have used the opportunity to also satisfy his carnal needs with deviant practices that included sadistic choking. These disgusting practices would eventually be his undoing.
Defeat of the Scots
In July of 1298 King Edward I finally located William Wallace and his army and engaged the Scots at the Battle of Falkirk. English archers eventually broke up the Scottish formations and Edward’s cavalry swept in and destroyed what was left. Although Wallace escaped, the Scottish rebellion was over.
Fed up with the War, King Edward returned south and the supply of victims for John Dragfoot dwindled away. In fact orders came through to release the remaining prisoners. Dragfoot followed his orders and released them into the courtyard where he’d already prepared a massive bonfire. With nowhere to go but the courtyard, the prisoners all died a slow death. As anyone who has been to a real English bonfire will know – anywhere closer that 30ft to the fire and you’ll cook.
Prior to the burning, the children of the prisoners had been herded into the gallery room where they’d had to watch the slow and agonising death of their parents and older siblings. Finally, Dragfoot executed them one-by-one using a small axe that is still on display in the castle. All the bodies were then tossed into the fire for cremation and the stench was said to be noticed over ten miles away at Bamburgh Castle on the coast
The Downfall of John Dragfoot
The Border Reivers were a band of cattle thieves, outlaws and raiders that operated in the disputed lands between Scotland and England. They were made up of both English and Scottish rogues, deserters, exiles, and displaced peasants. Most of the time they had no real loyalty to either side. At the time however there was said to be an alliance between the reivers and King Edward.
According to some accounts Mary Charlton, the daughter of a powerful reiver chief, was staying at Chillingham castle. Some say she was a hostage to ensure her father’s loyalty while others say she was a guest staying there for her own protection. Either way it wasn’t long before she was having an affair with Sage. Apparently, they were having rough sex on the stretching-rack in the dungeon when autoerotic asphyxiation went to far and Sage choked her to death.
There was no hiding the crime and her powerful father, chief of the Charlton family demand King Edward hand over Sage for Justice. King Edward couldn’t have cared less about Sage and agreed. The torturer of Chillingham castle was captured and ironically tortured with his own equipment. Finally, he was taken and publicly hanged with a short rope. This meant he would slowly choke to death rather than a quick end via a broken neck.
A huge crowd turned out to see the execution of the ‘Butcher of Chillingham Castle’. It seems that many of his victims’ relatives were in the crowd, and they all rushed forward while he was still half alive and cut at his naked body removing fingers, toes, genitals, ears, and nose. After all was done, what was left Dragfoot’s body was thrown into a cesspit.
The story goes that he haunts the Castle and sometimes further away searching for his missing body parts and can’t join his master in Hell until he finds them all. He also tries to find more victims to choke to death.
In fact, several guests at the Castle have felt as though they were being strangled by an unseen entity. This tends to happen near the dungeons. If the tales are to be believed, Dragfoot was one of the worst sadists and most prolific killers in history justifiably earning the title of The Most Evil Ghost in Britain.